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There are still so many works to be discovered and recorded even for instruments like the guitar. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer? Community Links Countries Recording Services. Someone who cilla care of other people’s problems. But his power can be negative and he can destroy music, modify it or misinterpret it.
With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! If a perfomer has nothing to say and simply plays the music, he should stay home. What constitutes a good live performance in your opinion? The one that mediates between the written text and the auditors. The grederic part about being a musician is to often be alone and the best is to get emotion during a performance. What or who was your biggest influence loobos an artist?
What do lpbos tell them? Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them!
How would you describe the relationship with your instrument? An interpreter has a great power in his hands because without him the work has no life and can’t be heard. What really matters is to transmit emotions and feeling. You need to see the whole picture here – after all, that is what Frederic Fredeirc is all about.
15 Questions to Frederic Zigante | interviews Guitar Classical
I play both baroque and classic guitar and I consider them two different instruments. What would be on your program for this season? The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.
This is the way to discover beauty in all music, not only classical. Complete editions are Frederic Zigante’s specialty: I live between two beautiful Italian towns: After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea.
False, the only thing about which people need to be educated is listening with curiosity: This is how an interpreter and a composer can cope to “travel” together without any conflict. What really makes the difference is the music that is written for it.
In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class. I would probably be a medical doctor or a politician. During the next two months I will be preparing a viola repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes.
My father and my brother Manuel. But I know that I shall certainly not: It is necessary to know exactly what the composer intended freddric this isn’t always possible on the only basis of the written text. About Our aim The team History.
I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages. And yet, he is by no means an anachronism. Interpretation is a task: If yes, how good were you at it? I haven’t noticed any crisis. Is there a crisis? This is what some performers do sometimes, they even cut off some parts of the works! You are given the position of artistic director of a concert hall. First I need a contract then I shall begin thinking about it!
Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good. Have you ever tried playing a different instrument? People need to be educated about classical music, before they can really appreciate it. A good live performance requires good technical standards and acceptable contents for the audience.