FRANCESCONI ETYMO PDF

FRANCESCONI ETYMO PDF

Stream Luca Francesconi: Etymo, Da capo, A fuoco & Animus by Susanna Mälkki and tens of millions of other songs on all your devices with Amazon Music. Check out Luca Francesconi: Etymo, Da capo, A fuoco & Animus by Susanna Mälkki on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. music by LUCA FRANCESCONI. bh-etymo Barbara Hannigan soprano. Pablo Márquez guitar. Benny Sluchin trombone. IRCAM Ensemble.

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The piece certainly sounds terrific when heard as SACD. The climaxes are truly shattering, even when heard on simple stereo equipment.

Etymo – Barbara Hannigan

I was a bit unsure about the last work Animus for trombone and electronics; but I must now admit that I find this a fairly fascinating, if a rfancesconi too long work. His music is certainly complex and quite demanding but it remains first and foremost strongly expressive and often quite beautiful. I doubt that these performances will ever be bettered.

It is not difficult to understand why. The title, Etymo as in ftancesconi is about the search for the origin and development of language.

The release under review provides a good idea of his output although all the works recorded here are already some ten or twenty years old. A pupil of Berio and Stockhausen, Francesconi is less well known in the UK than, for instance, Salvatore Sciarrino, who is nine years older, but as this collection of ensemble pieces shows, he has a genuinely distinctive musical personality, and the knack of creating sonorities of real immediacy and dramatic power.

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Luca Francesconi is one of the most prominent Italian composer of his generation with a substantial and varied output to his credit.

The other works were all composed at about the Read more same time: This is strong stuff for sure but ultimately quite rewarding. Be the first to review this title. I am still not quite sure whether I like it.

Luca Francesconi: Etymo; Da Capo; A Fuoco; Animus

Animus is an electronics-based piece too, with a solo trombone caught in a sound web of its reflections, while A Fuoco pits a solo guitar against an ensemble in a study of musical memory. The perfect gift for the classical music enthusiasts!

The piece opens with an electronic drone of indeterminate sounds giving way to a brief outburst from the ensemble. Ensemble InterContemporain Number of Discs: The sounds are haunting, seductive, intensely vivid; it’s a shame that the accompanying notes don’t match the clarity of the music. With the exception of Da Capo, for nine instruments, fromthe pieces here date from the mids.

This piece is not unlike Etymo in that it, too, develops from raw breathing noises that will later metamorphose into sounds.

L uca Francesconi, born inhas emerged as one of the leading Italian composers of the generation after Berio and Nono. At times, too, song turns into plain speech, but etyjo prevails. At times these are enhanced by electronics. Usually ships in 24 hours.

A fuoco again unfolds in a series of contrasted episodes by turns dreamy, meditative and aggressive, the whole expressed in vivid instrumental colours and rhythms. Inwhile studying with Berio in Tanglewood, Francesconi showed him a piece for guitar and ensemble that he was just writing. Featured Popular Ensembles Academy of St.

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Francesconi: Etymo / Da capo / A fuoco / Animus

Review This Title Share on Facebook. They, too, display a considerable variety of means and moods. He is aided by brilliantly handled electronics. The composer has an anecdote concerning this work for guitar and ensemble.

Etymo is the most substantial both in length francesconii in content. When listening to this rather breath-taking – in both meanings of the words – piece one finds francesvoni hard francesdoni believe that there is just one trombone player at work. From then on, the song will unfold in a big arch, This comprises a succession of contrasted episodes mostly characterised by an often dangerously exposed soprano part and vivid instrumental colours. It is a brilliantly scored, colourful piece full of nice instrumental touches and lively rhythms, although it opens and ends in a rather subdued manner.

The biggest, most ambitious and most memorable of those is Etymo, which takes a collection of fragments from Baudelaire’s Fleurs du Mal, sets and atomises them etyymo a soprano soloist and enmeshes the voice in teeming, febrile textures spun from an instrumental ensemble with real-time digital processing.

Notes and Editorial Reviews I doubt that these performances will ever be bettered.

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