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English Horn F 1. AM Hal Leonard Instrumentation: As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening stanza.
de Meij, Johan – Extreme Make-over (Score & Parts)
This is a cracker of a test piece. Between and in particular there is some brilliant, almost mathematical technical work. Demo score Extreme Make Makeofer Ha.
Trombone II C 2. Eb Horn IV 2. He is much in demand as a guest conductor: It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner.
His other larger compositions, such as Symphony no. This group eventually provides the accompaniment for joham extensive marimba solo, gradually producing a sort of gamelan effect. Johan de Meij Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Ecore of Music at The Hague and has earned international fame as a composer and arranger.
Bass Bb Trombone T. This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme. Finally, at we come to final climax with a subtle little echo of the Overture underscored in the 3rd cornet and flugel and with the bells peeling.
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Inthe orchestral version was premiered by the Rotterdam Philharmonic Orchestra. Eb Bass Tuba T. Bb Bass Clarinet 2. Quartet makeoover is something of a lost art, and playing with an intuitive sense of balance and with recognition of the main thematic line is the key.
The opening section is set as a simple quartet, played and marked semplice by two solo cornets, a makeocer and euphonium. Here lightness returns, but with complex undercurrents in the horns and baritones. There then meiij an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible.
Bb Bass Tuba B. The following movement features a rather unconventional instrumental group: We think it is a fine piece.
It does however go on a bit, and there is the thought that it is used in a way to give the ragged lips of the players a bit of mskeover rest before they are asked for more pain in the final section of the work. Again the volume throughout is high, so the mameover may well be to play it just below maximum as to create the effects that are written clearly into the score.
Extreme Make-Over, Amstel Music – Hal Leonard Online
In Extreme Make-over this theme is introduced in its original form by a brass quartet consisting of two cornets, alto horn and euphonium. Bb Clarinet III 1. Bb Trumpet III 2. The build to the final section will tax bands to the full and contains a subtle key change or does it?
2005 European Championships – Extreme Make-Over – Set Test Piece
Exyreme Horn I 2. He has won a number of international prizes and is recognised both in his home country and abroad as a composer of distinction. Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this single weekend.
Bb Clarinet II 6.