Craig Sellar Lang: Tuba Tune In D Major, Op. Three pages. Full organ. ( XWIL) en-GB. Craig Sellar Lang was a New Zealander by birth, from Napier, a port about two The Tuba Tune is designed for the high-pressure trumpet-like reed stop of that.
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His best-known work is the Tuba Tune for organ, Opus 15, a favourite of recitalists. The Tuba Tune is designed for the high-pressure trumpet-like reed stop of that name, a rank which is often powerful enough to sound over the full organ.
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Tuba Tune in D major Op. 15 (St. Martin’s Organ Series no.17)
Centenary essays on Clifton College. His fine setting of Psalm 8 has remained popular. Lang’s numerous other works for organ include a lengthy Sonata in D minor Op. Generations of organists were brought up on his Harmony at the KeyboardExercises in Score Readingas well as his books entitled Exercises for Organistsdesigned to prepare organ students for the keyboard tests of the Royal College crig Organists’ diploma exams.
There are also many anthems for trebles’ voices, composed for use at Christ’s Hospital, as well as numerous secular choral works. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Hyperion offers both CDs, and downloads in a number of formats.
Craig Sellar Lang – Tuba Tune in D major Op. 15 (St. Martin’s Organ Series no)
His instructional works, aimed at students, were highly influential. The site is also available in several languages. Lang returned to Clifton as assistant langg master in He took up teaching as a profession, first at Clifton College in Bristol, where he had been a schoolboy, then at Christ’s Hospital, Horsham.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. This page was last edited on 18 Decemberat November Total duration: Don’t show me this message again. Lang resigned from this sellsr in in order to devote more time to examining and composition.
His family emigrated to England and he studied music at the Royal College of Sellae in London where he was a pupil of Stanford. This dashing little piece, which owes its title to the boisterous melody sounded forth on the organ’s tuba stop, begins in the style of Handel but, in its central section, has some brief key changes that could belong to no century except the 20th.
Lang’s joyful piece has established a firm place in the repertory through its combination of dancing vitality and a sense of occasion.
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