Documents Similar To Recitations Stockhausen – Stimmung (Full Score, Original Version – ‘Work No 24’). Uploaded by. Yz’hak Álamo. Sheet Music – £ – Georges Aperghis – Recitations Op. 46 – voice solo. Georges Aperghis is a Greek composer working primarily in the field of experimental musical UbuWeb Sound Poetry: George Aperghis featuring Récitations for solo voice ; Excerpts from sound archives of Aperghis’s works.
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Subscribe to this thread:. This is not an easy work to absorb, especially without a score or a guide to Aperghis ‘ avant-garde methods, and listeners may find that the music recittaions like a free-form vocal improvisation that has no rules.
Automatic repetition puts all meaning to flight and is rendered more poetic by the sight of the schoolchild reciting by heart she falters, she catches up, falters again. The Chicago-area native dished tabloid-style gossip here for almost a decade. Sign up for our newsletters Subscribe. Now she’s a leader in a fringe right-wing online community spreading recihations bizarre political conspiracy theory.
Sound: Georges Aperghis’ ‘Récitations’
The good folks at UbuWeb have made available a masterful Martine Viard performance from Georges Aperghis born is a composer known for creating works that synthesise instrument, voice, and text, and which go against the hierarchies of orchestra and theatre environments. Col Legno’s reproduction is clear and resonant, but the volume is quite low, so getting the best effect requires some adjustments.
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An excellent new CD from Kairos titled Teeter-Totter collects four works from the past decade that demonstrate the stark power of Recitayions music. Rainy Day Relaxation Road Trip. You are commenting using your WordPress.
Le site de Georges Aperghis
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Bully, Accessory, Wulfpac Empty Bottle. Smatterings of French words are strewn throughout Recitationsbut most of the sounds are abstract—jarring coughs, mutterings, swoops, and cries that sound like the ranting of a madwoman. By Ben Joravsky Capricious Enigmatic Improvisatory Playful.
Georges Aperghis: Récitations – Martine Viard | Songs, Reviews, Credits | AllMusic
Jazz Latin New Age. But rules there are, and each recitation depends on a single choice made from a number of suggestions in the score; it seems the singer often encounters complications that require spontaneous solutions. The music seemingly finds its strength as the words gradually fade in meaning, a process which endows these compositions with a haunting beauty… Automatic repetition puts all meaning aperyhis flight and is rendered more poetic by the sight of the schoolchild reciting by heart she falters, she catches up, falters again.
The latter is more visceral and unsettling, but not by much. He gave tirelessly apergjis his time, talent, knowledge, and advice, whether running sound at a gig or recording a young band.
Trying to make sentences and small groups of words bend to arbitrary rules and structures recalls the formal language games played by recitaions lettristes, Jacques Roubaud and Georges Perec.
Georges Aperghis: 14 Récitations
By Brianna Wellen Drinking Hanging Out In Love. The centerpiece of Saturday night’s ICE program is a brand-new composition called Shot in the Darkwhich Aperghis wrote specifically for the ensemble—it just got its world premiere last night at New York’s Miller Theatre.
To find out more, including how to control cookies, see here: Notify me of new comments via email. Below you can listen to ” Seesaw ,” where the various pairings engage in what Aperghis calls “mirror-play,” shaping simple patterns and phrases and scrabbling around within those parameters.
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Below you can check out one such example, “Recitation 8. Donatienne Michel-Dansac recorded this unique version of the piece on November 16,for a Wien Modern concert, but she has performed it several times, before and aperghs, each time with recltations results and a changing personal connection to the music. More by Peter Margasak.
But I would like to draw attention to the mind-boggling Recitations ’78an epic solo work refitations female voice that makes crazy demands on the performer.