Torre Bermeja is a musical work by the Spanish composer Isaac Albéniz. It was published in a Records in Review said about the piece, “The Albeniz Torre bermeja, a piano work nowadays heard more frequently on the guitar, makes much of. ISAAC ALBENIZ. TORRE BERMEJA. Revised and fingered by. Eythor Thorlaksson. The Guitar School – Iceland SERENATA.

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I have to add TB to my repertoire though! I noticed that he and segovia have re recorded pieces over and over again. Guess you just cant assume anything. At some point I will just pick a version and go with it.

I think it’s because this website has a lot of subforums. I actually origionally posted this in the cafe But now a days JW only records new stuff.

Ah, maybe if i posted JW and Bach! Rumores de la Caleta malaguena would be my second, but only when Parkening plays it.

Torre Bermeja (Albéniz) – Wikipedia

I can’t tell you how many times I’ve sat down with the 10 different versions slight exaggeration of TB that I have and after pondering all the differences I switch back to working on something else. As far as the Stefano video goes, I’m not saying it’s the “best” or anything like that but to me it’s drastically different than most of the other versions I’ve heard on CD or YT.


He got the R. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. Like i cant see him going into the studio and recording Bach again. It’s got the Spanish feel. I am guessing Llobet and Segovia, who inspired Williams, rolled the 3 note arpeggioed chords down for speed but Williams shows that you can play p,m,i just as graceful as a p,i,m roll.

The easiest way of keeping up with everything IMO is to use either the View new posts or the View active topics link on the index page.

I always like to hear others interpretations of this most excellent, but somehow neglected Albeniz piece. I’m surprised he even made Cordoba available I have it but haven’t started working on it yet. I especially like the way he makes the melody stand out against the accompanying voices, through a less regimented phrasing and by making fuller use of vibrato and portamento to help emphasise key ideas in a passage.

So that gives me hope that he also published an arrangement of Torre Bermeja! I am talking about the 2nd measure directly after the drop D chord. I really enjoy listening to him play Arcas’ Polanaise Fantastic. But your comment makes sense.

Classical Guitar

I recently went to an old record store and bought for 2 dollars J. This section is read-only. Yes, I have sight read J. Oh and about putting this thread in public space, the moderators actually bermejw it here because it is from a favorite web sight. Topics archived from Public Space and its subforums after a long period of inactivity, or redundant for some other reason. Dont get me started on his Serenata Arabe!


We certainly have that in common! It’s true, we do move threads around to try and keep the content of the various subforums reasonably consistent. HE certainly perfected that now didnt he. This is a heavily moderated forum but I believe it suits the website and gives things here a more academic feel so I’m OK with it.

Board index All times are UTC. I also have sat around with several for the lack of a better word for ten For example, I have a 3 day weekend from work so I have extra time to poke around in all the subforums but usually I just check the Public Space forum. Please consider supporting us by disabling your ad blocker guitwr our website.

Times like this i wish i had a 24 fret C.

It is also on “The Seville Concert.

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