Hypercardioid, studio-quality boundary microphone with rugged, “non-crush” case and switchable bass-cut filter for reducing footfall noise, ideal for tough. The C BL is a boundary layer microphone with hypercardioid polar pattern, with rugged construction and a switchable bass-cut filter for reducing footfall. | AKG MICROPHONES – Boundary – Wall, floor, ceiling, table, lectern | Intended for applications ranging from providing sound reinforcement of stage.
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Micro hyper-cardioid for kick drum that pose inside. The transducer sits in a metal plate only 5mm thick, frequency response is ‘very uniform within its hemisphere’ when mounted to a surface of sufficient sizeand it ‘captures the room sound’ of an instrument ‘very accurately’.
If the model desired can not be located on the site, please contact Sales. Did you find this review helpful? Primarily designed for use in houses of worship, theatres and conferencing, the C BL is also a ‘good choice for miking kick drums and other instruments’.
Ordered on demand, cancellations c57bl incur charges. Its output is balanced, via a captive cable terminated with an XLR connector which has an integrated switch for a bass-cut filter.
A ‘professional,flush-mount, boundary microphone’, designed for permanent, ‘invisible’ mounting in ceilings, walls, tables and stages, the C CM is characterised by ‘excellent clarity and a consistent pickup anywhere around’ the microphone, styled by AKG as the ‘Invisible ear’ akt recording, courtroom, surveillance and security applications and a ‘perfect tool for surveillance or live recording’. Boundary Microphones When a microphone diaphragm is placed very close to a flat surface it is said to be in the ‘pressure zone’ or at the acoustical boundary of the room.
I never found this depth, its so full ally to c54bl barely improved. The plug mates with a cable socket with mm of cable, connected to an extended-length XLR connector containing a phantom power adapter. Built on the same acoustical components as the C V11the microphone provides ‘high directivity and neutral sound’.
The cylinder is 25mm in length, and contains the electret capsule and a cable grip for the captive cable which exits from the cylinder at the rear. Recording voice or instruments. Voice, instruments, stage or conference. The microphone is meant to be mounted through a sheet of material or a c547bbl. The CBL99 is a ‘hemispherical boundary layer microphone designed to deliver superior results for a multitude of recording applications’, small, lightweight and easy to place.
AKG C547BL boundary microphone
It has a hemi-spherical polar pattern for ‘clear, intelligible pickup of speech’. Subs and attack a very neutral sound just a little bump in the aakg. I do not know and have used 2 times. Print Print with pricing Print unpriced.
As a result it could be very useful for a c547vl discussion, mounted on the underside of a grand-piano lid or mounted on a wall, but in none of those cases if it is feeding a loudspeaker which is within the range of that hemisphere. The C is a hyper-cardioid, professional, boundary-layer microphone.
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The ‘rugged, non-crush case and a switchable bass-cut filter make the C an ideal choice for tough on-stage assignments’. The low profile housing has a grille assembly which may be painted to blend in with stage decoration.
C CM – Hemi-spherical A ‘professional,flush-mount, boundary microphone’, designed for permanent, ‘invisible’ mounting in ceilings, walls, tables and stages, the C CM is characterised by ‘excellent clarity and a consistent pickup anywhere around’ the microphone, styled by AKG as the ‘Invisible ear’ for recording, courtroom, surveillance and security applications and a ‘perfect tool for surveillance or live recording’.
Write a user review Ask for a user review. This is the region where any reflections of acoustic waves will be so short that they will have a frequency way above the range of human hearing, thus avoiding the comb-filtering, or interference of the direct sound by the reflected sound, experienced when placing a normal microphone near a reflective surface. A typical placement for this microphone would be directly on the floor of stage, near the edge, thus out of sight to the audience.
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AKG C 547 BL T Condenser Cable Microphone
Intended for applications v547bl from providing sound reinforcement of stage performances to courtroom, surveillance and security recordings, this selection of microphones all mount flat on a surface, taking advantage of the clarity and consistency obtained by placing the diaphragm close to the boundary of the acoustic space.
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I would really like to try it with another drummer in the studio, I think that this is the cream of the crop. Recording, courtroom, surveillance and security applications. The second time, the same drummer in his main band, in another room, rebelotte, sound hard all full of serious precision.
A 3mm thick, 20mm diameter, bevelled disc sits on the surface of the plate, showing only four drilled holes in the matt nickel-plated surface.
This cable is mm long, terminated with a c547hl pole miniature jack plug, which is small enough to go through the mounting hole. The integral, captive, cable is 3 metres long and terminated with an XLR connector.
I told him about it and he told me it was a big Italian sound engineer who advised him.